Indians of North America -- Clothing
Found in 311 Collections and/or Records:
Big Tree (A’do-eette), Kiowa chief, wearing breastplate. Western Oklahoma, 1869 – 1874. Photographer – William Soule. Negative 5x7. Later became a deacon, Rainy Mt. Mission Church., 1869-1874
Black and white copy prints of Kiowa-Apache, Comanche, Arapaho, Wichita, Caddo, Cheyenne, and Kiowa Indians.
Big Tree’s sister, wearing beaded and fringed dress. Western Oklahoma, 1869 – 1874. Photographer – William Soule. Negative 5x7., 1869-1874
Black and white copy prints of Kiowa-Apache, Comanche, Arapaho, Wichita, Caddo, Cheyenne, and Kiowa Indians.
Birdshield, Blackfoot, in native dress. 1927. Photographer – Hiteman. Original print, 8x10. Outsized., 1927
Black and white copy prints of Arikara, Apache, Arapaho, Assiniboin, Blackfoot, Cayuse, Comanche, Crow, Cherokee, Cayuga, Chinook, Caddo, Choctaw, Chippewa, Cheyenne, Delaware, Hidatsa, Hopi, Iowa, Kaw, Kickapoo, Kichai, Kiowa, Klamath, Laguna, Moki, Modoc, Makah, Mandan, Makah, Mandan, Miami, Missouri, Nez Perce, Onadaga, Omaha, Oto, Osage, Paiute, Puyallup, Pawnee, Peoria, Papago, Potawatomi, Pueblo, Ponca, Quapaw, Quinault, Sac and Fox, Salish, Seminole, Seneca, Shawnee, Sioux, Shoshoni, Tuscarora, Umatilla, Ute, Walla Walla, Winnebago, Wyandotte, Yakima, Yuma, Yuchi, and Zuni Indians. George Rainey Manuscript Collection also in repository.
Black and white lithograph of “A New Mexican Indians Woman.” (1848). A three-quarters profile portrait, seated. From Emory-Reconnaissance, Ft. Leavenworth to San Diego. , 1848
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Black and white lithograph of “Old Bark’s Son Ah-Mah-Nah-Co and Squaw.” (1848). Depicts Native American man and woman seated on the ground. Woman is cooking in a kettle hanging over a fire. Indians, tepees in background. From Abert’s Examination of New Mexico. , 1848
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Black and white steel engraving of an “Indian Woman Procuring Fuel.” (1853). Shows woman with wood bundle and baby on her back. Canoe in foreground. By S. Eastman from Schoolcraft’s Indian Tribes. , 1853
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Black and white steel engraving of “Female Mode of Sitting.” (1853). Shows three sitting in front of a dwellings. By S. Eastman from Schoolcraft’s Indian Tribes. , 1853
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Black and white steel engraving of “Mandan Women.” (c1850). Shows several women wearing robes-one wears the sacred white buffalo robe. By C. Bodmer. Source Unknown. , 1850
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Black and white steel engraving of “Red Jacket-Chief of the Senecas.” (1853). Excellent, full-length seated portrait of this famous chief. By S. Eastman from Schoolcraft’s Indian Tribes. , 1853
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Black and white steel engraving of “Stu-mick-o-sucks, the Buffalo’s Back Fat.” (1841). A first edition showing seated full length portrait wearing fringed Indian costume and holding a wooden pipe. By G. Catlin from Catlin’s Letter and Notes. , 1841
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Black and white steel engravings (2) of “A Chippewa Belle in Costume” and a “Chippewa Female Snow-Shoe.” (1856). Author unknown. From Schoolcraft’s Indian Tribes. , 1856
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Black Hawk, Kiowa-Apache wearing long chain earrings, a peace medal and bells. Western Oklahoma, 1869 – 1874. Photographer – William Soule. Negative 5x7., 1869-1874
Black and white copy prints of Kiowa-Apache, Comanche, Arapaho, Wichita, Caddo, Cheyenne, and Kiowa Indians.
Buffalo dance at San Ildefonso’s feast day., undated
Black and white original and copy prints of Navajo, Kiowa, Seminole, Pueblo, Cherokee, and Apache Indians. Also included are photographs of baskets from the Aleut, Apache, Attu, Cahuilla, Chemehuevi, Cheyenne, Chippewa, Clallam, Eskimo, Delaware, Havasupai, Haida, Hupa, Klikitat, Kickapoo, Karok, Klamath, Lillooet, Maidu, Makah, Modoc, Mono, Navajo, Nez Perce, Nootka, Paiute, Papago, Penobscot, Pima, Pomo, Pueblo, Hopi, Quinault, Seneca, Shoshoni, Tlingit, Ntlakyapamuk, Umatilla, Wailaki, Wasco, Washo, Winnebago, and Yokut tribes. The collection also contains views of archaeological work in the southwest United States, including Oklahoma City, Fort Sill, Okeene, Anadarko, Idabel, and Ardmore, Oklahoma; San Ildefonso, Santa Fe and Chimayo, New Mexico; and San Antonio, Texas. Alice Marriott Manuscript Collection also in repository.
C – Indian couple with men sitting, who is dressed in pioneer clothing (lower right), undated
Blacka nd white copy prints of Sacred Heart Mission, Abbey and College, along with scenes of St. Gregory's College and Abbey, St. Benedict's Mission, and St. Patrick's Mission, all in Oklahoma. The collection also includes photographs of students, members of monastic orders, and construction of the schools and abbeys.
Cache Creek Mission School children, Undated
Black and white original and copy prints of Kiowa, Apache, and Comanche Indians along with scenes of the town of Apache, Oklahoma and of nearby Cache Creek Mission. D.C. Ward Photograph Collection also in repository.
Caddo Dancing Chiefs: John Wilson and In-Ka-Nish, both are Caddo Indians. Men are wearing leather attire decorated with strips of leather, beads, and metallic buttons. Also moccasins, beaded knee bands. One on left is wearing a horned hat, one on right is carrying a peace pipe/hatchet. Original. Purcell, Indian Territory., undated
Black and white original prints of Apache, Caddo, Comanche, Kiowa, Oto, and Wichita Indians taken at the Lenny and Sawyers Studio in Purcell, Indian Territory.
Camp of three Cheyenne lodges in western Oklahoma. Several wagons are shown as well as a partially covered plow., Undated
Black and white original prints and glass plate negatives, taken by Andrew Alexander Forbes. Includes scenes of the range cattle industry in western Oklahoma and the Texas Panhandle, Oklahoma City, Oklahoma Territory, sodhouses, railroad construction, the United States Army, buffalo, andalso of Sac and Fox and Cheyenne Indians.
Charles Nesbitt, Margôt Nesbitt, and Emil W. Lenders Photograph Collection
Black and white original prints of the employees and performances of the Pawnee Bill and the 101 Wild West Shows. The collection includes scenes of cowboy and cowgirl performers, as well as those of Indian performers from the Pawnee, Sac and Fox, Potawatomi, Osage, Crow, Sioux, Blackfoot, Comanche, Ponca, Cheyenne, Arapaho and Kickapoo tribes.
Cheyenne boy wearing breastplate. Western Oklahoma, 1869 – 1874. Photographer – William Soule. Negative 5x7., 1869-1874
Black and white copy prints of Kiowa-Apache, Comanche, Arapaho, Wichita, Caddo, Cheyenne, and Kiowa Indians.
Cheyenne Indians dressed for a war dance., undated
Black and white original prints of Sac and Fox, Ponca, Comanche, Oto, and Cheyenne Indians.
Cheyenne woman with dress decorated with elk teeth. She is also wearing a neckband and beaded moccasins. Western Oklahoma, 1869 – 1874. Photographer – William Soule. Negative 5x7., 1869-1874
Black and white copy prints of Kiowa-Apache, Comanche, Arapaho, Wichita, Caddo, Cheyenne, and Kiowa Indians.
Chief Billy Bowlegs (Halpatter-Micco), Seminole, in native dress. Wears headdress, pendants, and shoulder sash. Studio portrait. BAE print, 4x6., undated
Black and white copy prints of Arikara, Apache, Arapaho, Assiniboin, Blackfoot, Cayuse, Comanche, Crow, Cherokee, Cayuga, Chinook, Caddo, Choctaw, Chippewa, Cheyenne, Delaware, Hidatsa, Hopi, Iowa, Kaw, Kickapoo, Kichai, Kiowa, Klamath, Laguna, Moki, Modoc, Makah, Mandan, Makah, Mandan, Miami, Missouri, Nez Perce, Onadaga, Omaha, Oto, Osage, Paiute, Puyallup, Pawnee, Peoria, Papago, Potawatomi, Pueblo, Ponca, Quapaw, Quinault, Sac and Fox, Salish, Seminole, Seneca, Shawnee, Sioux, Shoshoni, Tuscarora, Umatilla, Ute, Walla Walla, Winnebago, Wyandotte, Yakima, Yuma, Yuchi, and Zuni Indians. George Rainey Manuscript Collection also in repository.
Close-up of Indians dancing. Appear to be native dress., Undated
Black and white original glass plate negatives and copy prints of Caddo, Hopi, Crow and Cheyenne Indians.
Close-up view of several Indians in the middle of a ceremonial dance. In tribal dress., Undated
Black and white original glass plate negatives and copy prints of Caddo, Hopi, Crow and Cheyenne Indians.
Close-ups of Matachinas. Faces covered., undated
Black and white original and copy prints of Navajo, Kiowa, Seminole, Pueblo, Cherokee, and Apache Indians. Also included are photographs of baskets from the Aleut, Apache, Attu, Cahuilla, Chemehuevi, Cheyenne, Chippewa, Clallam, Eskimo, Delaware, Havasupai, Haida, Hupa, Klikitat, Kickapoo, Karok, Klamath, Lillooet, Maidu, Makah, Modoc, Mono, Navajo, Nez Perce, Nootka, Paiute, Papago, Penobscot, Pima, Pomo, Pueblo, Hopi, Quinault, Seneca, Shoshoni, Tlingit, Ntlakyapamuk, Umatilla, Wailaki, Wasco, Washo, Winnebago, and Yokut tribes. The collection also contains views of archaeological work in the southwest United States, including Oklahoma City, Fort Sill, Okeene, Anadarko, Idabel, and Ardmore, Oklahoma; San Ildefonso, Santa Fe and Chimayo, New Mexico; and San Antonio, Texas. Alice Marriott Manuscript Collection also in repository.
Colored chromolithograph of “Navajo Costume.” (1850). Shows warrior in costume of a Spanish nature holding a shield. By R.H. Kern from Simpson’s Navajo Journal. , 1850
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Colored chromolithograph of “Tonto Apache-White Mountain Reservation, Arizona, 1891.” ½ Length portrait of the Indian wearing a turban with feather. By Julian Scott from Indians Taxed (11th Census). Sackett & Wihelms Litho. Co., New York. , 1891
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Colored chromolithograph of “Turkey Dance-Pueblo of Jemez, New Mexico” (1894). Indians dressed in colorful costumes. By P. Moran from Indians Taxed (11th Census). , 1894
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Colored chromolithograph of “You-pel-lay, or the Green Corn Dance of the Jemez Indians. Aug. 19.” By R.H. Kern from Simpson’s Navajo Journal. , undated
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
Colored heliotype of “Sayatasha and Hututu (Rain Priests) and Two Yamuhakto (Warriors).” (1904). Excellent view of colorful Rain Dance costumes. By W.M. Sawyer from B.A.E 23rd Annual Report. , 1904
Black-and-white and color engravings of Indians of the Southwest, namely Pueblo, Hopi, and Navajo. Included are scenes of village life, native dwellings, individual Indians, and dances. Though less numerous, depictions of hunting and ceremonies of the Lakota, Blackfeet, Chippewa, and Mandan Indians are also included in the collection.
- The University of Oklahoma
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